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• Rimi Basu Reviews Of The Revenant

1. I LOVED the Revenant. But like I said in other of my reviews, it depends on what you let your kids watch and what you don't. The movie was VERY violent, but if your okay with your kids watching violent movies, it should be fine.
2. The Revenant is a fictional tale based on the real life account of Hugh Glass, a trapper who was attacked by a grizzly bear and then left for dead by the men who had been left to care for him. This story is so gripping.

The Revenant is a 2015 American semi-biographical^[5][6]epic^[7][8]western film directed by Alejandro González Iñárritu. The screenplay by Mark L. Smith and Iñárritu is based in part on Michael Punke's 2002 novel of the same name, describing frontiersmanHugh Glass's experiences in 1823. That novel is in turn based on the 1915 poem The Song of Hugh Glass. The film stars Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, and Will Poulter.

The Revenant falls into the same category as Aronofsky's 'Requiem for a Dream' and Spielberg's 'Schindler's List' for me, in the essence of being a terrific movie but not something I think I can sit through a second time.

Development began in August 2001 when producer Akiva Goldsman purchased Punke's manuscript. Iñárritu signed on to direct in August 2011 and in April 2014, after several delays due to other projects, Iñárritu confirmed that he was beginning work on The Revenant and that DiCaprio would play the lead role. Principal photography began in October 2014. Location and crew concerns delayed the film from May to August 2015.

The Revenant premiered at the TCL Chinese Theatre on December 16, 2015, and had a limited release on December 25, expanding on January 8, 2016. The film received largely positive reviews, and praise for its performances (particularly from DiCaprio and Hardy), direction, and cinematography. It won three Golden Globe Awards and five BAFTA Awards. At the 88th Academy Awards, the film received 12 nominations, including Best Picture and Best Supporting Actor (Hardy), winning Best Director (Iñárritu), Best Actor (DiCaprio), and Best Cinematography (Emmanuel Lubezki). DiCaprio also won the Golden Globe, Screen Actors Guild Award, BAFTA, and Critics' Choice Award for Best Actor.

• 3Production
• 5Historical accuracy
• 6Release
• 7Reception

Plot[edit]

In late 1823, Hugh Glass guides Andrew Henry's trappers through unorganized territory. While he and his half-Pawnee son, Hawk, are hunting, the company's camp is attacked by an Arikara war party seeking to recover their Chief's abducted daughter. Guided by Glass, the survivors travel on foot to Fort Kiowa, as he believes traveling downriver will make them vulnerable. After docking, the crew stashes the pelts near the shore.

While scouting game, Glass is attacked by a grizzly bear and left near death. Trapper John Fitzgerald, fearful of another Arikara attack, argues that the group must mercy-kill Glass and keep moving. Henry agrees, but is unable to pull the trigger; instead, he offers money for someone to stay with Glass and bury him after his death. When the only volunteers are Hawk and the young Jim Bridger, Fitzgerald agrees to stay for money, to recoup his losses from the abandoned pelts.

After the others leave, Fitzgerald attempts to smother Glass but is discovered by Hawk. Fitzgerald, concerned that Hawk's loud reaction to him attempting to kill Glass could alert the Arikara, stabs Hawk to death as Glass watches helplessly. The next morning, Fitzgerald convinces Bridger, who didn't know that Fitzgerald had killed Hawk, that the Arikara are approaching and they must abandon Glass. Bridger protests at first, but then follows Fitzgerald after the latter leaves Glass half-buried alive in a make-shift grave. After they depart, Fitzgerald admits he lied about the Arikara approaching. When Fitzgerald and Bridger later meet Henry at the fort, Fitzgerald tells him that Glass died and Hawk vanished. Bridger is complicit in the lie about Glass's death, even while he knew nothing of Hawk's.

Glass begins an arduous journey through the wilderness. He performs crude self-surgery and eludes the pursuing Arikara who are looking for the Chief Elk Dog's kidnapped daughter, Powaqa. Glass encounters Pawnee refugee Hikuc, who says that 'revenge is in the Creator's hands.' The men share bison meat and travel together. After a hallucinogenic experience, Glass discovers Hikuc hanged by French hunters. He infiltrates their camp and sees the leader raping Powaqa. He frees her, kills two hunters, and recovers Hikuc's horse, leaving his own canteen behind. The next morning, Glass is ambushed by the Arikara and driven over a cliff on his horse. He survives the stormy night by eviscerating the horse and sheltering inside its carcass.

A French survivor staggers into Fort Kiowa and Bridger recognizes his canteen as Glass's. Believing it stolen, Henry organizes a search party. Fitzgerald, realizing Glass is alive, empties the outpost's safe and flees. The search party finds the exhausted Glass. Furious, Henry orders Bridger arrested, but Glass vouches that Bridger wasn't present when Fitzgerald murdered Hawk, and was later deceived by the higher-ranking Fitzgerald. Glass and Henry set out in pursuit of Fitzgerald.

After the two split up, Fitzgerald ambushes, kills and scalps Henry. Glass uses Henry's corpse on his horse as a decoy and shoots Fitzgerald in the arm. He pursues Fitzgerald to a riverbank where they engage in a brutal fight. Glass is about to kill Fitzgerald, but spots a band of Arikara downstream. He remembers Hikuc's words and pushes Fitzgerald downstream into the hands of the Arikara. Elk Dog kills and scalps Fitzgerald and the Arikara (having found Powaqa) spare Glass. Heavily wounded, Glass retreats into the mountains where he is visited by the spirit of his wife.

Cast[edit]

• Leonardo DiCaprio as Hugh Glass
• Tom Hardy as John Fitzgerald
• Domhnall Gleeson as Andrew Henry
• Will Poulter as Jim Bridger
• Forrest Goodluck as Hawk
• Paul Anderson as Anderson
• Kristoffer Joner as Murphy
• Duane Howard as Elk Dog
• Melaw Nakehk'o as Powaqa
• Arthur Redcloud as Hikuc
• Lukas Haas as Jones
• Brendan Fletcher as Fryman
• Grace Dove as Hugh Glass's wife

Production[edit]

Development and financing[edit]

Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring the rights to Michael Punke's then-unpublished manuscript.^[9] David Rabe had written the film's script.^[10] The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to star. Park later left the project.^[11][12] The development stalled until 2010, when Mark L. Smith wrote a new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that John Hillcoat was attached to direct the film and that Christian Bale was in negotiation to star the movie.^[13] Hillcoat left the project in October 2010.^[12]Jean-François Richet was considered to replace him, but Alejandro G. Iñárritu signed on to direct in August 2011.^[12][14] Goldsman was also confirmed to be producing with Weed Road Pictures.^[14] In November, New Regency Productions joined to produce with Anonymous Content, and 20th Century Fox was confirmed to be distributing the film.^[15][16] Days later, Iñárritu stated that he was seeking Leonardo DiCaprio and Sean Penn for the two lead roles.^[17]

Once Iñárritu agreed to direct, he began working with Smith on script rewrites. In an interview with Creative Screenwriting, Smith admitted during this process he was unsure if Iñárritu would even be able to film some of the sequences they wrote. He recalled, 'He would have some ideas and I would say, 'Alejandro, we can’t pull this off. It’s not going to work,' and he would say, 'Mark, trust me, we can do this.' In the end, he was right.'^[18]

The film was put on hold in March 2012, as New Regency hired Iñárritu to direct an adaptation of Flim-Flam Man, Jennifer Vogel's non-fiction book about her criminal father.^[19] Penn was also under consideration for the lead role in that film.^[20] In December 2012, Iñárritu announced that his next film would be Birdman or (The Unexpected Virtue of Ignorance), a comedy-drama about an actor who once played a famous superhero. For his work, Iñárritu won the Oscar for Best Director and Best Original Screenplay, and the film won Best Picture. Filming took place in March 2013.^[21] Iñárritu was scheduled to begin production on The Revenant after Birdmanwrapped.^[22]

The film was granted a production budget of $60 million, with $30 million funded by New Regency. Brett Ratner's RatPac-Dune Entertainment, a joint venture between Ratner's RatPac Entertainment and 20th Century Fox's former financing partner, Dune Entertainment, also funded the film.^[15]Worldview Entertainment, who also co-financed Birdman, was originally set to fund the film but backed out in July 2014 due to the departure of its CEO, Christopher Woodrow.^[15][22][23] New Regency approached 20th Century Fox for additional funding, but the company declined, citing the pay-or-play contracts made for both DiCaprio and Tom Hardy, which would require that the actors be paid regardless of whether the film is completed.^[23]Annapurna Pictures' Megan Ellison entered negotiations to finance the film shortly after.^[15][23] The Chinese company Guangdong Alpha Animation and Culture Company partially financed the film.^[24]

Filming[edit]

Principal photography for The Revenant began in October 2014.^[25] A planned two-week break from filming in December was extended to six weeks which forced Tom Hardy to drop out of Suicide Squad. In February 2015, Iñárritu, who shot the film using natural lighting, stated that production would last 'until the end of April or May', as the crew is 'shooting in such remote far-away locations that, by the time we arrive and have to return, we have already spent 40% of the day'.^[26][27][28] Brad Weston, president and CEO of New Regency Pictures, stated that principal photography had been challenging due to the ambitious nature of the film. Ultimately, principal photography wrapped in August 2015.^[29]

The film was shot in twelve locations in three countries: Canada, the United States, and Argentina.^[30] In Canada, filming took place in Calgary and Fortress Mountain in Alberta, in Kananaskis Country west of Calgary, the Badlands near Drumheller, and at Squamish and Mammoth Studios, Burnaby, in British Columbia.^[30] The scenes in the waterfall were filmed at the Kootenai Falls near Libby, Montana. While the initial plan was to film entirely in Canada, the weather was ultimately too warm, leading the filmmakers to locations near the Rio Olivia at the tip of Argentina with snow on the ground, to shoot the film's ending.^[25][31]

Crew members often complained about difficult shoots, with many quitting or being fired. Mary Parent was then brought in as a producer.^[25] Iñárritu stated that some of the crew members had left the film, explaining that 'as a director, if I identify a violin that is out of tune, I have to take that from the orchestra.' On his experience filming, DiCaprio stated: 'I can name 30 or 40 sequences that were some of the most difficult things I’ve ever had to do. Whether it’s going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia constantly.'^[32][33]

Iñárritu had stated that he originally wanted to shoot the film chronologically, a process that would have added $7 million to the film's production budget.^[34] Iñárritu later confirmed that the film was shot in sequence, despite Hardy's statement that the film could not be shot chronologically, due to weather conditions.^[35][36]

In July 2015, it was reported that the film's budget had ballooned from the original $60 million to $95 million, and by the time production wrapped it had reached $135 million.^[3]

Visual effects[edit]

The visual effects for The Revenant were produced primarily by Industrial Light & Magic (ILM). Other companies, such as Moving Picture Company (MPC) and Cinesite, also created visual effects for the film.^[37]

Music[edit]

The musical score for The Revenant was composed by Japanese musician Ryuichi Sakamoto and German electronic musician Alva Noto with additional music composed by Bryce Dessner.^[38] The main body of the score was recorded at the Seattlemusic Scoring Stage in the Bastyr Chapel in greater Seattle, Washington by musicians of the Northwest Sinfonia. Sakamoto conducted these sessions. Bryce Dessner's portion of the score was performed by the 25-piece Berlin-based orchestra known as 's t a r g a z e' under conductor André de Ridder.^[39][40] Additional licensed music includes 'Become Ocean', the Pulitzer Prize and Grammy Award-winning work of John Luther Adams as recorded by the Seattle Symphony with conductor Ludovic Morlot and an excerpt of 'Jetsun Mila' from French musician and composer Eliane Radigue.^[41] A soundtrack album was released digitally on December 25, 2015, and on CD on January 8, 2016. Milan Records released a vinyl pressing of the soundtrack in April 2016.^[40]

The score by Sakamoto and Noto was ruled ineligible for the Academy Award for Best Original Score at the 2016 Oscars as it was deemed that it was 'assembled from the music of more than one composer'.^[42]

Documentary[edit]

The film was accompanied by a 44-minute documentary, named A World Unseen, highlighting the process of making the production. A World Unseen was released on January 21, 2016, on YouTube; both the date and medium of the documentary's release made it ineligible for the Academy Award for Best Documentary (Short Subject) in the same year as the film nomination.^[43][44]

Themes[edit]

In the Los Angeles Review of Books, film critic Wai Chee Dimock compared The Revenant's themes with those addressed in the literary works of James Fenimore Cooper, particularly The Last of the Mohicans. Dimock argues that the film re-interprets the concept of 'half-breeds' from a derogatory idea that Cooper despised to an aesthetic way in which to see the world. She compared both works' protagonists—Glass and Hawk-eye—as literary foils, with Glass living an inversion of the latter's biography and perspective.^[45]

In the documentary of the film titled A World Unseen, Iñárritu has stated that for the main themes of the film he revisits the issues and concerns of intense parental and filial relations, which audiences of his previous films readily recognize as a recurrent theme in his previous work. Regarding the theme of revenge seen throughout The Revenant, Iñárritu has stated that the approach of vengeance seen in the film needs to be significantly tempered by anyone who would want to see vengeance as either an effective or useful moral to be applied in life. In the end, Iñárritu states, there can only be disappointment and lack of fulfillment for anyone who looks to revenge as providing a higher purpose for living or a life defining purpose.^[43][44]

Historical accuracy[edit]

The Guardian reported, 'The backstory about Glass’s love for a Pawnee woman is fiction. It has been suggested the real Glass had such a relationship, but there’s no firm evidence—and no evidence that he had any children. .. As for the ending, it has been changed in one significant way: in real life, nobody got killed.'^[46]

Canadian actor Roy Dupuis was strongly critical of the movie for portraying French-Canadianvoyageurs as murderous rapists. Dupuis was originally offered a role as a voyageur, but he rejected it due to perceptions of anti-French bias and historical inaccuracies.^{[47][48][49][50]} According to Allan Greer, the Canada Research Chair in Colonial North America, 'generally the American traders had a worse reputation than the Canadians.'^[47]

Iñárritu has made a special point of emphasizing the importance of historical issues of ethnicity approached in the film and reflected in the mixed ethnic background of Hugh Glass's son portrayed in the film (portrayed as half Pawnee by Glass's wife) as relating to his own life and his identification with ethnic concerns. Iñárritu has referred to having encountered constant xenophobia and stated that: 'These constant and relentless xenophobic (comments) have been widely spread by the media without shame, embraced and cheered by leaders and communities around the U.S. The foundation of all this is so outrageous that it can easily be minimized as an SNL sketch, a mere entertainment, a joke .. I debated with myself, if I should bring up this uncomfortable subject tonight but in light of the constant and relentless xenophobic comments that have been expressed recently against my Mexican fellows, it is inevitable.'^[51]

Native American culture[edit]

In order to portray Arikara culture accurately, Iñárritu hired several cultural consultants^[52][53] and teamed up with two linguists to provide faithful Arikara and Pawnee language lines for actors.^[54][55] Hikuc, the Pawnee man who helps Glass survive, is played by a Navajo actor.^[56]

However, in one scene, a Pawnee character rescuing Glass is accompanied by a voiceover in Inupiaq^[why?], which is spoken in Arctic Alaska, thousands of miles away and a different language family from Pawnee. The voiceover was a recording of Doreen Nutaaq Simmonds^[57] reading a poem from a John Luther Adams recording; the words originally came from an Inuit woman named Uvavnuk, an angakkuq (shaman) and oral poet.^[58]

Release[edit]

The Revenant had a limited release in the United States on December 25, 2015, including Los Angeles—making it eligible for the 88th Academy Awards—before being released nationwide on January 8, 2016.^[59][60] The film opened in Australia on January 7, 2016 and in the United Kingdom on January 15, 2016.^[61][62] In the Philippines, the film's release date was originally set for January 27, 2016, but it was eventually delayed a week to February 3, 2016.^[63][64] Although studios initially chose not to pursue a theatrical release in China, following the film's three wins at the 88th Academy Awards on February 28, 2016, the film was granted a release in China but with several cuts.^[65] It was released on March 18, 2016.^[24]

Home media[edit]

The DVD, Blu-ray and 4K Ultra HD Blu-ray were released on April 19, 2016 in the US.^[66] Opening sales of the DVD along with on-line streaming orders placed The Revenant as number one in sales at Amazon.^[67] Distribution to major rental outlets in the US was done on May 17, 2016.^[68]

Piracy[edit]

On December 20, 2015, less than a week before its release, screener copies of The Revenant and numerous Oscar contenders, including The Hateful Eight, Creed and Straight Outta Compton, were uploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon Entertainment. Kosove claimed that he had 'never seen this DVD[s]', and that 'it never touched his hands.'^[69] In October 2016, a former 20th Century Fox employee was fined $1.12 million in a separate case for uploading both The Revenant and The Peanuts Movie online.^[70]

Reception[edit]

Box office[edit]

The Revenant grossed $183.6 million in the United States and Canada and $349.3 million in other countries for a worldwide total of $533 million, against a production budget of $135 million.^[4]Deadline Hollywood calculated the net profit of the film to be $61.6 million, when factoring together all expenses and revenues.^[71]

In North America, The Revenant opened in limited release on December 25, 2015, and over the weekend grossed $474,560 from four theaters in New York City and Los Angeles ($118,640 per screen), finishing twenty-third at the box office.^[72] It was the second-biggest theater average of 2015 behind the $130,000 four-screen debut of Steve Jobs.^[73] The film earned a total of $1.6 million from its two-week limited run before expanding wide on January 8, 2016, across 3,371 theaters.^[74][75]

It made $2.3 million from its early Thursday preview showings from 2,510 theaters.^[74] On its opening day, the film earned $14.4 million, ranking first at the box office.^[76] The film grossed $39.8 million in its opening weekend from 3,375 theaters, exceeding initial projections by 70%, and finishing second at the box office behind Star Wars: The Force Awakens ($42.4 million), which was on its fourth weekend of play. It was the director's biggest opening of all-time, and the fourth-biggest for DiCaprio and supporting actor Tom Hardy.^[77] Critics noted that The Force Awakens had an advantage, considering that it was playing at 781 more theaters, that Sunday matinees are family-friendly, and since it had the benefit of playing in all North American IMAX theaters.^[77] Nevertheless, The Revenant played very balanced across the U.S. and overperformed in all states except the Northeast region.^[77] Its wide release weekend is among the top openings in the month of January.^[78] It topped the box office in its fifth weekend overall and third weekend in wide release after competing with Ride Along 2 in its second weekend. It added a $16 million in its third weekend, which was down 49.7% but topped the box office, despite a blizzard blanketing most of the East Coast which reportedly hurt many films' box office performance.^{[79][80][81][82]} The following weekend it was overtaken by Fox's own animated movie Kung Fu Panda 3 thereby topping the box office for one weekend.^[83] Following the announcement of the Oscar nominees on January 14, The Revenant witnessed the biggest boost among the Best Picture category, jumping from $54.1 million to $170.5 million, an increase of +215% up to the Oscar ceremony in the weekend ending February 28.^[84]

Outside North America, the film secured a release in 78 countries.^[85] It made $20.5 million from 2,407 screens in just 18 markets, placing behind The Force Awakens at the international box office chart and first among newly released films.^[86] The following weekend, it added $32.3 million from 25 markets on 4,849 screens.^[85] The film topped the international box office in its third weekend—the same weekend when it topped the U.S. box office—overtaking The Force Awakens with $33.7 million from 48 markets.^[87] In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million or £5.2 million ($7.4 million) from 589 theaters and remained there for a second weekend declining by 24% with £3.86 million ($5.5 million), as well as for a third weekend.^{[85][88][89][90][91]} Similarly, in Russia, it passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.^[86] In France, it has the biggest opening day in Paris and the third biggest opening weekend of 2016 with $8.2 million.^[92] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), the Netherlands ($1.3 million), Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway, Israel, Egypt and Portugal among other markets.^{[85][87][90][93]} In Germany ($4.6 million) and Australia ($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind The Ten Commandments.^[86][93] It had one of the top ten openings of all time for a Fox film, not accounting for inflation in South Korea with $5.7 million and went on to top the box office there for a second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low box office performance.^[94][95] In Russia, despite not opening at No. 1, it topped the box office in its second weekend with $4.4 million—more than The Force Awakens—and went on to top for a third weekend with $3.6 million.^[85][96] In China it had an opening day of around $11 million from more than 11,000 screens, including $250,000 in midnight previews, and $23 million in two days.^[97][98][99] In its opening weekend, it grossed $31 million, coming in second place behind the animated Zootopia. IMAX comprised $2.3 million on 278 screens.^[100] In terms of total earnings, its largest markets outside of the U.S. and Canada are China ($58.6 million), the United Kingdom ($32.8 million), Germany ($28.7 million) and France ($28.2 million).^[101][102] The film opened in Japan on March 23.^[92][103]

Critical response[edit]

The Revenant received largely positive reviews from critics, with praise directed towards DiCaprio and Hardy's performances, Iñárritu's direction, and Lubezki's cinematography.^{[104][105][106][106]} However, the film's runtime was criticized.^[107] On Rotten Tomatoes, the film has an approval rating of 78%, based on 371 reviews, with an average rating of 7.85/10. The website's critical consensus reads: 'As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges — and rich rewards.'^[108] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating 'generally favorable reviews'.^[109] Audiences polled by CinemaScore gave the film an average grade of 'B+' on an A+ to F scale, while PostTrak reported audiences gave it an overall positive score of 85% and a 59% 'definite recommend'.^[110][111]

Reviewers cited in a CBS News survey of critics highly praised DiCaprio's performance, referring to it as an 'astonishing testament to his commitment to a role' and as an 'anchoring performance of ferocious 200 percent commitment.'^[105]Peter Travers of Rolling Stone called DiCaprio's acting 'a virtuoso performance, thrilling in its brute force and silent eloquence.'^[112] Writing for NY Magazine/Vulture, David Edelstein called the film a 'tour de force' and '[b]leak as hell but considerably more beautiful,' but noted the film had 'traditional masculinity instead of a search for what illuminates man's inhumanity to man.'

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Justin Chang of Variety wrote Iñárritu 'increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work' and it was 'an imposing vision.. but also an inflated and emotionally stunted one.'^[105] Stephanie Zacharek, writing for TIME magazine, gave a positive review to the film stating: 'Inarritu may have fashioned The Revenant as the ultimate endurance test, but as Glass, DiCaprio simply endures. He gives the movie a beating heart, offering it up, figuratively speaking, alive and bloody on a platter. It—he—is the most visceral effect in the movie: revenge served warm. Bon Appetite.'^[104]Richard Brody of The New Yorker was critical of the film, and said that Emmanuel Lubezki's images were mere 'pictorial ornament[s] to Alejandro G. Iñárritu's bland theatrical stagings.”^[113]

Slant Magazine's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: 'Our contempt for The Revenant knows no limits.'^[113] Gonzalez unfavorably compared Iñárritu's work to Terrence Malick's 2005 film The New World. In the official review, Slant writer Jaime N. Christley wrote: 'The Revenant [is] a misery-fest that plants its narrative flags as carelessly as a Roland Emmerich blockbuster, guaranteeing us a viewing experience almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment audiences first meet the key players. After an obligatory false calm, The Revenant's proper opening scene is a show-stopping massacre at a fur-trapper's campsite. It's the kind of thing Howard Hawks would have handled—and did, in The Big Sky—in under 90 seconds, with mostly off-camera particulars and minimal effects, but Iñárritu forces it to resemble the Normandy Beach sequence in Saving Private Ryan as much as history or sense will allow, and then some.'^[114]The Revenant was ranked 22nd on Metacritic's and 79th on Rotten Tomatoes' list of best films of 2015.^{[115][116][117]}

Accolades[edit]

The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's cinematography. At the 88thAnnual Academy Awards, Iñárritu won the Best Director award for the second time in a row, Emmanuel Lubezki won for the third time in a row the award for Best Cinematography and DiCaprio won his first award for Best Actor. Hardy lost the award for Best Supporting Actor to Mark Rylance for Bridge of Spies, and the film itself lost Best Picture to Spotlight.^[118]

At the 73rd Golden Globe Awards it won three awards: Best Motion Picture – Drama, Best Director, and Best Actor – Drama. It also had a nomination for Best Original Score.^[119] On January 14, 2016, the film received 12 Academy Award nominations (more than any other film at the ceremony), including Best Picture and Best Director for Iñárritu, as well as Best Actor and Best Supporting Actor, for DiCaprio and Hardy, respectively.^[120] On February 14, 2016, the film received the most awards at 69th British Academy Film Awards out of eight-nominations, with five, including Best Film, Best Director, Best Cinematography, Best Sound, and Best Leading Actor.^[121] It received nine Critics' Choice Awards nominations, winning two – for DiCaprio as Best Actor and Best Cinematography for Lubezki.^[122]

Spss version 19 free download for windows 8. Tom Hardy won the Best British Actor award at the London Film Critics' Circle and was runner-up for Best Supporting Actor at Dallas–Fort Worth Film Critics Association.^[123][124] DiCaprio was awarded Outstanding Performance by a Male Actor in a Leading Role award at 22nd Screen Actors Guild Awards, while Iñárritu received Outstanding Directing – Feature Film award at 68th Directors Guild of America Awards.^[125] It received five Satellite Awards nominations, winning the award of Best Actor for DiCaprio.^[126]

On May 2, 2016, Time magazine included both DiCaprio and Iñárritu in its issue of the 100 Most Influential People of 2015, with a cover photograph of DiCaprio on the magazine. John Kerry, the U.S. Secretary of State, wrote a short testimonial to DiCaprio for this issue of Time stating that DiCaprio's dedication drives him to succeed and 'that's how he takes himself back 200 years to create an Oscar-winning, bear-brawling, powerhouse performance in The Revenant.'^[127]

See also[edit]

• Man in the Wilderness, a 1971 Western film loosely based on the Hugh Glass story
• Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story

References[edit]

1. ^'The Revenant'. London: British Board of Film Classification. December 28, 2015. Retrieved December 28, 2015.
2. ^'The Revenant (2015)'. LUMIERE. Retrieved June 23, 2017.
3. ^ ^abWaxman, Sharon (October 16, 2015). ''The Revenant' Budget Soars to $135 Million As New Regency Foots the Bill (Exclusive)'. TheWrap. Retrieved December 28, 2015.
4. ^ ^ab'The Revenant (2015)'. Box Office Mojo. Retrieved July 4, 2016.
5. ^''The Revenant' rules over Oscar nominations list (Roundup)'. Business Insider. January 14, 2016. Retrieved November 24, 2016.
6. ^Cauthron, Randy M. (January 14, 2016). 'Randy's Review: 'The Revenant''. The Spencer Daily Reporter. Retrieved November 24, 2016.
7. ^Truitt, Brian (December 22, 2015). ''Review' Revenant is a brutal, beautiful epic'. USA Today. Retrieved October 26, 2017.
8. ^Pulver, Andrew (December 16, 2015). 'The 50 best films of 2015 in the US – No 3: The Revenant'. The Guardian. Retrieved October 26, 2017.
9. ^Vejvoda, Jim 'Stax' (August 9, 2001). 'Akiva Goldsman Mauled by Grizzly!'. IGN.com. Retrieved December 28, 2015.
10. ^Kit, Borys (April 15, 2014). 'Leonardo DiCaprio, Alejandro Gonzalez Inarritu Team Up for 'Revenant''. The Hollywood Reporter. Retrieved August 29, 2014.
11. ^Han, Angie (June 4, 2014). 'Tom Hardy in Talks for Alejandro González Iñárritu's 'The Revenant''. /Film. Retrieved August 29, 2014.
12. ^ ^abcFranklin, Garth (June 30, 2014). ''Revenant,' 'Orphanage' Dropouts'. Dark Horizons. Retrieved September 4, 2014.
13. ^Miska, Brad (May 25, 2010). ''Vacancy' Writer Pens 'Martyrs', Latest John Hillcoat Thriller!'. Bloody Disgusting. Retrieved August 29, 2014.
14. ^ ^abWeinstein, Joshua L. (August 17, 2011). 'Alejandro Gonzalez Inarritu Attached to Direct Warner's 'The Revenant' (Exclusive)'. TheWrap. Retrieved August 29, 2014.
15. ^ ^abcdMcNary, Dave (July 11, 2014). 'Leonardo DiCaprio's Survival Drama 'The Revenant' Attracts Megan Ellison's Annapurna'. Variety. Retrieved August 29, 2014.
16. ^Abrams, Rachel (November 1, 2011). 'New Regency boarding 'The Revenant''. Variety. Retrieved August 29, 2014.
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External links[edit]

• The Revenant on IMDb
• The Revenant at Rotten Tomatoes
• The Revenant at Metacritic
• The Revenant at AllMovie
• The Revenant at the TCM Movie Database
• The Revenant at History vs. Hollywood
• The Revenant at the Movie Review Query Engine

Summary:

Review:

THE REVENANT is a big budget, artsy, mixed message movie with strong Christian content combined with strong spiritualist content. The violence in THE REVENANT is too excessive, the cursing is anachronistic, and the movie is far too long with repeated scenes of the same type of graphic violence.

THE REVENANT tells the story of Hugh Glass, a guide for fur trappers in the Rockies in the 1820s. The fur trappers Glass was guiding abandoned him after a grizzly bear terribly mauled him, but Glass survived to have newspapers tell of his miraculous survival. His story became the subject of several books, the last of which is a 2002 novel by Michael Punke that re-imagines the story as a story of survival and revenge.

This movie version opens with Glass and the other fur trappers he’s leading being attacked by an American Indian tribe led by a chief whose daughter was kidnapped by other fur trappers. The Indians are brutal, and the trappers are no less brutal.

After the attack, Glass tries to lead the few survivors back to the nearest fort without their furs, which have been taken by the Indians to some French fur trappers, who are actually the ones with the chief’s daughter. Vspe virtual serial port emulator. In the middle of their grueling and scary attempt to get over the Rockies in the winter, Glass is attacked and mauled by a mother grizzly bear protecting her cubs.

The captain of the trading company, Andrew Henry, tries to take most of the men over the mountain without Glass as their guide. He pays three men to stay behind with Glass, who’s barely alive. One of the three men is Glass’s son and another is a young trapper. The third man is the villain, Fitzgerald, who’s been cursing and mocking God from the first scene.

Fitzgerald only stays behind for the money, but he finally gets bored and tells Glass, if he blinks, Fitzgerald will kill him and bury him so he can find peace with his God. When Fitzgerald tries to kill Glass, Hugh’s son, who’s half Indian, tries to save his father, but Fitzgerald kills him and leaves.

Somehow, though he’s alone and terribly wounded, Glass recovers, and he crawls through the woods. Now, the questions are: whether Glass can survive; whether the Indians will kill the other trappers; what will happen to Fitzgerald; and, whether Glass will be able to satisfy his desire for revenge against the evil Fitzgerald.

THE REVENANT ends when Glass remembers the words of his wife that revenge is God’s business. Even so, he throws the injured Fitzgerald into the river. However, this premise or theme gets lost in the movie. Thus, REVENANT also has the survival premise, the premise about the fur trapping industry of early America, the premise about the Native Americans, and many other minor premises, all of which should be integrated or discarded with careful editing.

Furthermore, although THE REVENANT has some strong Christian content and symbolism, it has equally strong spiritualist and atheist content. In fact, the Christianity is spotty, and plenty of occult Indian spiritualism competing with it. Moreover, Fitzgerald tells the mocking story that his father found a little sage tree and found god: a squirrel. His father eats god the squirrel in the tree. With great glee, Fitzgerald viciously mocks God and religion.

Aside from the gruesome violence and the abhorrent language, THE REVENANT is very limited by the lack of character arcs and monochromatic expressions of all the actors. For instance, Fitzgerald starts off as abhorrent and never has any character growth. Glass stays the same throughout the whole movie, with a slightly jumping character growth at the end. The photography, though beautiful, is also monochromatic, always dark, grey and foreboding.

The biggest problem with the movie is that it seems the writer and director didn’t know what they wanted. Did they want to show Glass surviving? Did they want to show a story of revenge overcome by God’s grace? Did they want to extol the virtues of Indian culture and alleged spiritual beliefs? Did they want to show how bad the fur trading companies were? All these themes are jumbled together in an episodic fashion.

With editing, THE REVENANT could have been a good movie, or they could have cut the budget severely and made the artsy movie they wanted to make. As it is, however, the movie’s current edit is neither here nor there.

For a better movie based on this same story, mature audiences might want to look up MAN IN THE WILDERNESS with Richard Harris and John Huston.

Rimi Basu Reviews Of The Revenant

Content:

(Pa, CC, O, AbAb, BB, LLL, VVV, SS, N, AA, D, MM) Mixed pagan worldview includes Native American spiritualism and other spiritualist experiences (an Indian “medicine man,” images of Native American beliefs about the souls of dead people, and the protagonist has visions of his dead Indian wife), anti-Christian and anti-God diatribes and mockery from villain are rather strong, and lots of Christian elements with a final Christian, biblical message that revenge is God’s business, an important scene in a broken-down church stressing Christ crucified and many allegorical Christian, redemptive elements such as many deaths and resurrections and a baptism of the protagonist; 26 obscenities (five of which are anachronistic “f” words), and 21 profanities with a strong cursing and mockery of God by the villain, some racial epithets, plus lots of rude and crude references to squaws and sex; extreme violence with copious amounts of gore, blood and grotesquely maimed and mutilated body parts and organs includes Indians attack, people are scalped, mutilated and attacked, incredibly grotesque scars and maulings, bear punctures a man’s throat, water and blood pour out of man’s throat, Indian is hung, people are beaten, people’s fingers are chopped off, peoples limbs are shot with arrows, people’s teeth are knocked out, people are gouged, hero takes out inside of horse to sleep inside cavity, eating of animal body parts and guts, falls from great heights, near drownings, shootings, son is burned and scarred for life, man buried alive in a lime pit, frozen extremities, avalanches, and woman rescued from being raped and uses knife to castrate rapist; strong sexual content includes depicted and implied rape includes French bad guys take Indian woman captive and abuse her, plus lots of rude and crude references to squaws and sex; rear full male nudity, upper male nudity, and flying body parts; alcohol use and drunkenness; some brief pipe smoking but no drugs; and, strong miscellaneous immorality and problems include lying is the key plot point, Indian uses herbal medicine practices to physically heal protagonist, and there’s cheating and stealing.

In Brief:

THE REVENANT is a big budget, artsy movie with strong Christian content mixed with strong spiritualist occult content, gruesome violence and foul language. THE REVENANT tells the story of Hugh Glass, a guide for fur trappers in the Rockies in the 1820s. After Indians brutally attack the group and steal their furs, Glass tries to guide them over the Rockies in winter. Along the way, a mother grizzly bear guarding her cubs mauls Glass. The leader orders three men to stay with Glass, including Glass’s son, but one of the men, an atheist, kills the son, and leaves Glass to die. Miraculously, Glass survives and vows revenge against the vicious villain.

Aside from gruesome violence and abhorrent foul language, THE REVENANT is limited by its lack of character arcs and monochromatic performances. The biggest problem is the filmmakers don’t know what they wanted. Thus, the movie’s positive Christian content clashes with the movie’s Indian spiritualism. With editing, THE REVENANT could be better, or they could have cut the budget severely and made the artsy movie they wanted. Extreme caution is advised.